The Focke Wulf Fw190 was one of the Second World War's most attractive
and functional aircraft. The Fw190A's introduction into combat caused
heavy losses and considerable alarm in the RAF, as it was superior in
most respects to the current Spitfire Mk.V. The Fw190A maintained this
advantage until the introduction of the Spitfire Mk.IX in July of 1942.
The Fw190 underwent constant development during the war, culminating
in the Fw190D and Ta152 High Altitude fighter. Tamiya's kit represents
the Fw190A-3. This aircraft had an improved BMW 801Dg engine of 1700hp,
an increase in armament from four to six guns, two cowl mounted MG17 machine
guns, two MG151 fast firing cannons in the wing roots, and two outboard
wing mounted MG FF machine guns. A deadly machine indeed, especially in
the hands of an 'experten'.
The Kit
This kit is typical of Tamiya kits, having well-moulded parts in a
sturdy box with overly thick decals giving three optional finishing schemes.
I choose the Hahn (cockerel) of 111./Gruppe for my model.
Building the Kit
I
started by my usual habit of washing all parts in warm water and dishwashing
detergent, followed by a rinse, patting dry and leaving on the bench to
air dry overnight. I then started getting some of the basic painting out
of the way, using my favourite painting stick, a piece of 2'" x .5" pine
wrapped with 'inside out' Masking tape to hold bits and pieces for painting.
I then proceeded to paint the RLM 66 interior pieces, cockpit tub, instrument
panel, fuselage sides, etc.
Actually I did this for four kits at a time, as I'm building a series
of Focke Wulf aircraft. Interior details painted, instrument panels and
side consoles, spinners, propeller blades in RLM 70, and landing gear
pieces in RLM02 were 'group' painted. This really speeds up final assembly
and minimizes airbrush cleaning!
The
fuselage sides were assembled next and the painted engine attached, no
extra detail work was done on the engine as it can barely be seen behind
the cooling fan, seam filling was minimal and a little Gunze Sangyo Mr.
Surfacer 500 and sanding took care of this.
The
interior was fitted at this time from the bottom, through the wing mount
opening, check your fit by taping the fuselage together and test fitting
before gluing the fuselage together (in case this method doesn't work
on your particular project). )
The wing tops were assembled to the one piece bottom at this time,
the interior RLM02 having previously been painted and the landing gear
mounting holes filled with Blue Tack re-usable adhesive (often used to
mount business papers to conference room walls, easily removed without
damaging the wall) to keep paint out of the mounting holes. The fit of
the wing parts was good with a little GS Mr. Surfacer and sanding smoothing
things out. Fit of the wing to the fuselage was a little less accurate,
but with some test fitting and parts shimming a fillerless
fit was obtained. A spreader bar of sprue was placed across the fuselage
under the cockpit tub, test fitting and shortening the spreader until
width was correct). A shim was placed in the wing to raise the top edge
a little and a good fit was obtained, a little Surfacer painted along
the seam line to seal things up, and we were done with the wing to fuselage
joint.
The
undercarriage was made up as a separate operation, brake lines added,
wheel hubs painted gloss black and tires with Aeromaster 'Tire' and glued
to the landing gear. The tail wheel assembly was also finished and set
aside for later mounting.
Painting
The
entire model was primed with a coating of Mr. Surfacer, thinned to water-like
consistency with lacquer thinners, and sprayed on. Smoothing was done
with #0000 Cabinet Makers steel wool (NOT household steel wool), and sanded
with 3000 to 12000 grit paper from a finishing kit. Finally the panel
lines were pre shaded with flat black. The panel lines were also smoothed
out a bit with fine sandpaper
The
underside, fuselage sides and rudder were sprayed with Aeromaster RLM76,
lightly at first until the desired panel line effect was achieved, and
then the centres of the panels were filled in a little denser, first step
in the weathering process.
The
bottoms of the wing edges were masked off and fuselage masks were made
from file folder card to delineate the upper fuselage and side colours.
(Fig.13) These were fastened to the fuselage sides with pads of Tamiya
Masking Tape rolled inside out to hold and raise the template away from
the surface a little to give a soft edge between the sides and upper fuselage
colours.
The trim tabs on the ailerons and emmpenage were painted quickly and
easily with an Artist Red Gel Pen, no masking required. These pens are
found in Art supply stores in a multitude of colours and are ideal for
interior knobs, switches, buttons, etc. The longer I have them, the more
use I find for them.
During
the course of construction, I repeatedly knocked off the pitot tube and
machine gun barrels in the wing, and I finally removed them altogether,
drilling locating holes in the wing prior to painting. Wing machine gun
barrels were made from brass tubing chucked in a variable speed drill
and the muzzle filed to shape at low speed with a fine miniature file.
The inside bore of both the machine guns and cannons was reamed with a
mini rat-tail file to more scale like thickness, then painted in black
with a gun metal dry brushing, and mounted in the wings after painting
of the model was complete. The fuselage moulded-in cowl guns were drilled
out with a fine bit mounted in a pin vise.
Topside
painting was accomplished with Aeromaster RLM75 grey violet (lightened
with a bit of RLM76 to give more contrast) and RLM74 Greygreen. Wing patterns
were masked using a cutout paper pattern, wrapped tightly around the wing
and tacked with a bit of masking tape on the underside, the same method
was used on the fuselage topside colour divisions. I make these templates
by scanning the painting diagram into my computer and enlarging to 1/48
size, or close enough (they don't have to be exact). The lighter colour
is sprayed on first, and after drying thoroughly, the cutout masks are
wrapped around the wing or stabilizers tightly and taped on the underside
to secure for painting. This gives a very definite demarcation line between
colours, yet is not razor sharp, and in my opinion more scale-like.
Finally
the undercarriage, tail wheel, and cannon barrels were added. A coat of
gloss coat was applied prior to decalling. Micro Set, Micro Sol, and a
touch of Solveset was applied here and there to settle the kit decals.
A wash of thinned Raw Umber Artists Acrylic, thinned with distilled water,
was given to the panel lines, and final weathering and exhaust stains,
using pastels was applied, followed by a coat of Microscale Flat. A little
touching up of the weathering here and there and the antenna was fixed
using 'invisible'thread fixed with super glue and tightened by holding
a 'blown out' match about a half inch away to tighten. Insulators were
made with a touch of Humbrol Clearfix, later touched up with white paint
from a Artists Gel Pen. The vibration-dampening cone was made from a thin
slice of fine plastic tubing placed on the thread before mounting and
fastened in place with super glue and the shape built up with clear fix,
touched up with a black Gel Pen.
With
the pre-painted propeller and cooling fan assembly added, Voila!, it is
finished - all but the picture taking.
References
Profile Publications #3 The Focke-Wulf FW 190 A Squadron/Signal
Publications Focke Wulf FW 190 in Action Nos.19 and 170
Various other books in my 'Library'
Conclusions
A nice kit to build . . . no built-in problems to work around . . .
looks the part when finished. Pity that the decals don't match the quality
of the kit.