Entering service early in 1935, the stubby little I-16 was in fact, at that time, the most advanced fighter anywhere in the world, and remained so until well into the latter parts of the decade. Though none of its innovative design features were, by themselves, revolutionary, their introduction into a single package comprising a tiny high-speed fighter was shattering, and marked a significant leap forward in the history of aerodynamics.
Always an aircraft requiring precise handling, the tiny 'Mosca' was
as beloved by its experienced pilots as it was feared by novices. By 1941,
the latter types of I-16 were powered by the M-62 and M-63 engines, and
could exceed 300
mph. Extremely maneuverable, and with an excellent zoom climb, the I-16
was by no means as outdated during the initial months of Barbarossa as
has been alleged, and in fact accumulated in many Regiments an outstanding
record against the German invaders during 1941-42.
The Naval arm of the VVS (VVS-VMF) started some experimentation with camouflage on its I-16's. "Black 6", which the review model represents, is thought to be in service with the 71 IAB-KPF in the Winter of 1941. It is thought that this winter camouflage experiment consisted of a base coat of AE-9 Light Gray with a coat of Medium Gray applied as a wash. It also appears that White could also have been used since this was, afterall, a winter camo scheme. The I-16 Art Deco camouflage article on the VVS site contains not only "Black 6", but other experiments in I-16 camouflage. It was this article that supplied the motivation for this model.
The Hasegawa I-16 Type 18 consist of 41 injected pieces molded in typical
Hasegawa gray and one clear injected windscreen. Markings are for two
aircraft, one from the 72 AP with bogus silver markings (which should
and the other from an unknown unit. The molding is very well done but
does have some outline discrepancies. More on those in the rest of the
I also used the Eduard photoetch set, #72-177, which consists of approximately 41 photoetch pieces and a piece of clear film representing the instrument faces. Also needed for the Hasegawa kits are the NeOmega resin I-16 wing replacements.
Since the kit I used was the Hasegawa Type 18, and since the plane I was building was a Type 17, I had to outline what changes were necessary to convert the Type 18 into the Type 17. The changes were as follows: replace the ShKAS machine guns in the wings with ShVAK cannon; change the spinner type; and finally, fill the starboard cockpit entry door's panel lines, since the Type 17 and "lower" had only the door on the port side. Since the machine I was modeling did not have the spinner, I was lucky and didn't have to track down the different spinner.
that I knew what had to be done for the conversion, I started work on
the model. First, and in natural order, was the cockpit. Since some of
the Eduard cockpit pieces make no sense according to their instructions,
I ended up not using a lot of the pieces. After having the cockpit
mostly finished, I looked again at the Eduard instructions, and my conclusion
was what Eduard has you put on the port side actually belongs on the starboard
side. The unusual looking "contraption" (technical term) appears to me
to be Eduard's take on the landing gear raise and lower lever, and all
the pieces associated with it. In addition, the instruments on the port
side should be mounted on the starboard side. However, I was only able
to find one photo of the cockpit with the instruments on the starboard
side, so it may be indicative of this one example only.
Since there is plenty missing from the Hasegawa cockpit sidewalls and
the Eduard photoetch set, I scratched some of the missing pieces using
sprue, wire and Reheat photoetch pieces (levers, etc.). Once I had all
of the pieces on the sidewalls, I painted the cockpit sides Metal-Use
Primer. Before I painted the floor, though, I cut off the pieces on the
side of the floor that Eduard has "depressed"
since this area of the floor actually didn't exist. Once everything was
painted I then glued the fuselage halves together before adding the floor
and the instrument panel. Since the underside of the kit's fuselage is
"hollow" I decided to add the floor and the instrument panel after the
fuselage halves were together and seams eliminated.
I again strayed from the Eduard instruction sheet using the more accurate kit seat rather than the photoetch seat. To the kit seat I added the seat belts then glued that to the fuselage.
Now that the cockpit was finished, the fuselage halves together and
all seams eliminated, I turned my attention to the wings. In order to
get the NeOmega resin wings on the Hasegawa kit, you have to cut the "outer"
wings off at the strap joint. I made the cuts prior to adding the "inner"
wings to the fuselage. I cut a little bit further outboard from the strap
joint so I could sand down the area to ensure a smoother fit. Once the
"outer" bits were cut off I then
glued on the "inner" surfaces to the fuselage and worked on those seams.
The "inner" wing to fuselage joint was decent, requiring only a small
amount of CA to blend it in. However, the joint on the underside, where
the lower "inner" surface meets the aft end of the fuselage required a
little more attention. I also corrected the panel lines on the upper "inner"
wings to better match the Armada plans. After all seams were eliminated
and the NeOmega wings were sanded off their "pour blocks" attention now
turned toward the tail.
Yes, I deviated a little from normal construction process because I wanted something that I could use to "true-up" the resin wings to the rest of the airframe. So I glued on the horizontal tailpieces, which required very little in terms of seam removal.
that the horizontal tailpieces were on and true, I used those as a guide
to glue on the NeOmega replacement wings. The Hasegawa wings are totally
inaccurate. You could try to sand the corrections yourself, but there
isn't enough plastic for the surgery. You would have to add some plastic
to make the correct transition. In addition you would have to reinstate
the fabric effect, so it's much easier to use the NeOmega replacement
wings. In this area I did a lot of dry fitting, using the plans in the
Armada book to full advantage. Once I was certain the joint was good enough
to require very little in terms of filler - and was true - I used gap-filling
CA, which dries a little slower, to attach the wings. I had to sand down
the resin wings a little to meet the Hasegawa plastic - which resulted
in losing the small "bumps" on the strap. Those were replaced with CA.
Once the wings were sanded and dried completely I added the ailerons offset a little and continued with the rest of the kit. I also scratched the ShVAK cannons using hollow brass tube and glued those on prior to painting. The ShKAS guns still in the cowling were replaced with syringe needles.
Assembly and Painting
Since the wheel wells, landing gear and landing gear doors of the I-16 were painted the same blue as the rest of the underside, I deviated from normal model building practice and installed both the landing gear and the Eduard p/e landing gear doors. The I-16's doors were very thin on the real thing, and the Hasegawa gear doors are too horridly thick for 1/72nd. So replacing them in some fashion I feel is a must. The Eduard p/e doors are very well done and very much look the part. One more note about the Eduard p/e pieces. The I-16 did not have a "v" where the oleo strut is on the landing gear, so leave off those small "v's".
Now I was ready to paint. I started by spraying Polly Scale's Haze
Gray on the uppersurfaces. Once this dried for a day or two I turned my
attention to streaking on the
other grays. I used a combination of Polly Scale's Light Gray and lightened
Haze Gray for the streaking, dry brushing it on. Once this was dry I masked
the fuselage and sprayed the fin/rudder red. After this dried for a day
I masked the upper surfaces and sprayed the undersurfaces with Polly Scale's
USSR Underside Blue lightened just a tinge with white.
After all paint was dry and masks removed I sprayed a coat of Future over the entire model. I let this dry for two days (better to be safe than sorry) then started with the panel lines. Lately I've been feeling that subtle panel line highlighting is more accurate - and to scale - than overly dark panel lines. With this is mind I mixed my own dark gray oil to flow in the panel lines. I then lightened it a bit and applied that to the underside. Once this was all dry I then darkened the "dark gray" even more, and used that in the control surfaces joints to pop those out more.
are ALPS generated on the upper side, while the lower surface wing stars
are taken from a Toko LaGG-3. After the decals were dried I sprayed a
Polly Scale dull coat over the entire model, and then scratched a new
gun sight, painted the frames of a "squash-cast" windscreen flat aluminum
and added the windscreen. Pastel chalks were used for more weathering
and then I added the Hasegawa, natural metal cowl ring decal after the
dull coat so it would remain shiny.
Once I saw the excellent Art
Deco article, I knew I had to build at least one of them. Since I
had an extra Hasegawa Type 18 laying around along with the NeOmega wings
and Eduard photoetch, I decided to build "Black 6" found at the bottom
of the page. Yes, there is work to bring the Hasegawa kit up to standards
I feel, but it was well worth
it. I feel it is necessary to replace the Hasegawa outer wings - since
they're inaccurate - as well as the landing gear doors and the kit supplied
windscreen with either a vac or "squashed" example. However, doing all
that will result in a most accurate and very good-looking Polikarpov I-16.
Now to convert the new ICM Type 24 into a Type 28 . . .
My thanks to Erik Pilawskii for all the help.
Armada #2, Polikarpov I-16 (The "bible" on the I-16)