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Internet Modeler : Features : Ships RSS News Feed

Bireme: A Heller 1/265 Roman Warship

By Peter Plattner

It was on our November meeting of IPMS Austria when I bought this already started small kit. Seems to be for trash some friends mentioned. But I already fell in love wit this little item. The Heller Cadet series of the 1960 provided some one-to-box scale kits of several sailing ships. Amongst them this Roman Bireme. The scale of this piece seems to be arround 1/265.

The biggest challenge was removing the already applied thick colour coat without damaging the crisp surface details. This took me several hours brushing with more or less poison liquids.

At least I only used the hull halves of the kit and the provided sails as moulds for my scratch experiments.

Finally I had a lot of fun with this little gem and it took me only 10 months to finish. Pretty fast, as I usually need years for finalizing a model.

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Box art.
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Parts need a lot of scrubbing for removing the already applied paint.
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Detailing the interior structure.
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Thwart need to be reshaped from interior and outside.
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I have decided to replace the decks with wooden ones. For this purpose thin strips of veneer from birch wood, pastels and white glue was used.

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The tower was scratch built from plastic card. Primary colour was applied with airbrush. The finish was made with artist oils. This tiny part was a hell of work.

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Needs some patience, the rebuilding of the side rails from plastic strips.
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Some parts prepared for assembling.
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Further elements couldn’t be added until the standing rigging was done.
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The Roman shields have been printed out on paper; a coat of clear dope strengthened them. Small metal plates enhanced detail and artist oils gave them their final finish
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The side rails are slowly disappearing behind the shields.
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Paper tissue, white glue and thin copper wire served as raw materials for producing sails.
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With copper wire the sails have been sewn to the yards.
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Sails are finished now for the paintjob. Beginning with airbrush and then several coats of artist’s oil let them appear like real fabric.

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Once again masking for applying paint. This piece is closer to a painting than a model.
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A huge number of oars awaiting, prepared for painting.
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For aligning the oars a jig was required.

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